Review |
It’s Christmas Eve in the Hundred
Acre Wood, but Eeyore, the “Ol’ Gray Donkey,” is really unhappy. Of
course Eeyore is usually unhappy, but this is worse than usual. In
Sutter Street Theatre’s Winnie-The-Pooh Christmas Tail, it seems
that Eeyore (Angie Reed) has somehow lost his tail. How can he enjoy
Christmas with his tail missing?
Coming to Eeyore’s rescue are the
ever loyal Winnie-The-Pooh (Madeline Kramer) and his best friend Piglet
(Amanda Ramos). They promise to search the Wood until they find the
missing tail. They advise Eeyore, in the perky song, to “Think Yourself
Up,” but he’s too “down” to take their advice.
Soon Pooh and Piglet are joined by
the other Wood dwellers, including Rabbit (Aurora Rose Giacobbe) and
Tigger (Kiley Link). Rabbit, as usual , wants to take charge (“It’s a
Captainish Sort of Day”), and Tigger can’s stop jumping and bouncing and
running, crashing into everyone else. He has the best song in the show,
“What Tiggers Do Best.”
Soon Kanga (Jessica Dardarian) comes
along with her baby, Roo, who in this version is a realistic and
cleverly animated hand puppet she holds in her arms. Roo has very real
looking head movements, and Kanga has to continually tell him to stop
jumping. So everyone is off, dancing and singing as they go, to all the
usual places.
Is the mystery solved? Well, it is a
Christmas Tail, isn’t it? The solution comes when they decide to
visit Owl (Grace Righton) to ask for advice. Let me just say you will
be totally surprised at where the tail turns up!
This delightful Christmas story,
directed with lively songs and dances by Allen Schmeltz with
choreography by Cassidy Cagney, is a winner for children of all ages. I
haven’t mentioned my favorite character, the only “human” in the show,
Christopher Robin, played by Benjamin Matta. Matta stands out from the
others in his bright yellow slicker and boots, being shorter than his
animal friends (if we don’t count Roo), and being the only boy in the
cast. His wonderful voice stands out as well. But I’m being unfair
singling out Matta because the singing by all of the characters is
excellent. There are only a few solos, but the ensemble singing fills
the theater.
And I must call attention to the
imaginative animal costumes, created by Eileen Beaver, and the lively
musical direction by SharonWelling, and played by John Wilder.
The Folsom theater scene offers an
abundance of goodies this season. There is FreeFall Stage’s hilarious
Charlie Brown Christmas, Sutter Street’s annual musical extravaganza
Holiday in the Hills, and now this song and laughter filled
Christmas classic. Bring the children and see one, two, or all three and
your family holiday fun will surely be enhanced. |